Patrick Lo Re founded One Soul Group, LLC in 1995 and ran the studios in NYC until 2015.

One Soul is the alliance of Marie Anne Bacquet, a French acoustic designer, Jean Jacques Bacquet, founder of Klinger Favre Audio, a French company developing and creating high end audio equipment (speakers, amplifier, dac), Andras Gipp, a Hungarian American master woodworker/ piano rebuilder, founder of Hudson Workshop, Tosh Sheridan, an American musician- arranger/ producer, Bobby Avey, a fabulous piano technician and pianist extraordinaire.

Since 1995, Patrick has provided acoustic consultations, designed and overseen construction of private
music studios and small concert spaces in the US & France.
During the same period, he engineered/ produced a multitude of acoustic recordings ranging from classical to jazz, Latin, folk, pop, r & b.

In 2020, through Covid, along with his team, they decided to design a private venue on his property in New Baltimore, NY to reflect the sum of their combined expertise and showcase their work.
As a result, this private venue is, a recording studio, an acoustic solutions showroom, a salon style venue (35 to 40 guests max), an audiophile salon, and a home theater. One Soul Group is also the US representative of KLINGER FAVRE AUDIO

The studio opened in 2021 and after fine-tuning and learning the space for almost a year, Patrick shared with local friend Patrice Kuzniak, another French American music lover, his desire to develop an Atelier Musical: a musical workshop, where sound can be experimented with, from the instrument maker to the performer, from the acoustician that creates the space to the engineer that records the performance, all the way to the audio component and speaker builder that allows the playback of all these craftsmanships and talents.

American pianist Julian Martin has been a College faculty member since 1999 and a Pre-College faculty member since 2003. He is winner of the 1975 Montevideo International Piano Competition and has won major prizes from the Ravel-Casadesus (now Cleveland International), Gina Bachauer, and Kapell competitions as well as the Collaborative Prize at the 1982 Tchaikovsky Competition in Moscow. He has played tours through North and South America, Europe, and Asia, and has recorded with violinist Berl Senofsky and flutist Robert Willoughby. Martin introduced new works by composers Richard Rodney Bennett, Stephen Albert, Mario Davidovsky, and Edward Barnes. He has served as a jury member for the Montreal, Iowa, and Jaén international piano competitions, and for Stars of the 21st Century in St. Petersburg. Martin is a member of the original selection committee for the Gilmore Foundation (Kalamazoo). He is founder and artistic director of the International Piano Festival of Gijón (Asturias, Spain). He is on the regular guest faculty at the Glenn Gould Professional School (Toronto), the Banff Centre, and the Bowdoin Summer Music Festival. He has taught master classes in Argentina, Colombia, England, Germany, Israel, Japan, Korea, Switzerland, Taiwan, and Venezuela. He is a former faculty member at Oberlin Conservatory (1982-87) and the Peabody Institute (1987-2002). Martin’s principal studies were at the Peabody Conservatory with Leon Fleisher. He also studied with Guido Agosti in Italy and with Robert Casadesus and Nadia Boulanger in France.

Swiss conductor Etienne Abelin has been lauded as a "post-classical pioneer" by BBC Music Magazine and an "icon of new ways in classical music" by the Musica VivaMagazine Brazil. His gripping, emotionally charged performances have been hailed as "always unforgettably fine" by eminent conducting mentor Jorma Panula.

He has graced the world’s most prestigious concert halls, performing with leading orchestras. In recent years, Abelin has brought his visionary leadership to the Empire State Youth Orchestra, one of the nation’s foremost youth orchestras, where he serves as Music Director and Symphony Orchestra Conductor. Under his direction, the orchestra has delivered acclaimed performances at venues such as Carnegie Hall, Tanglewood’s Ozawa Hall, and the Troy Savings Bank Music Hall.

Abelin won the exceptional privilege of being a musical collaborator for 18 years with classical music legend conductor Claudio Abbado, who has been described as one of the three greatest conductors of all time by BBC Music Magazine. As such, Etienne was handpicked by Mr. Abbado to be a founding member of the Lucerne Festival Orchestra and the Orchestra Mozart Bologna, where he was the Principal Second Violin for seven years. With these orchestras, he performed in the world's most prestigious concert halls and recorded for labels such as Deutsche Grammophon and Harmonia Mundi. Abelin has conducted orchestras such as the Beethovenorchester Bonn, the Orquestra Sinfonica Portuguesa or the Musikkollegium Winterthur in venues and festivals such as the Teatro alla Scala Milano, Royal Festival Hall London, the Auditorio Nacional de Musica Madrid or Beethovenfest Bonn.

Among his passions and special fields of focus in conducting are education and audience interaction - be it with the digital music visualization software Music: Eyes he co-founded (a.o. project with the Berlin Philharmonic in 2021), in the program "Netzwerkorchester" ("Innovative Orchestra Award" 2019 of the Deutsche Orchester-Stiftung) or in cross-genre collaborations with composers such as Gabriel Prokofiev, Francesco Tristano or Daniel Schnyder. Etienne Abelin has presented on multiple occasions as a TEDx speaker and performer

Born in Munich, Germany, Heike grew up in a home filled with music. “Every Sunday, my dad would play an entire opera on his stereo in the living room, seating us kids with librettos in hand, while also chasing every Ella Fitzgerald and Oscar Peterson concert.”

This early exposure to the world of opera and jazz shaped her fascination for the art of storytelling—both in words and music.

After earning an MA in Literature and Philosophy, she moved to New York to pursue a career in publishing, drawn to the power of language and its ability to connect people across cultures. Over time, her voice became her profession, and today, she records German voiceovers for U.S. companies and museums while also serving as the German translator for the Metropolitan Opera’s METtitles.

Her passion for music has come full circle in her role as video host for L’Atelier Musical, where she interviews musicians before they step into the recording studio, capturing their thoughts, inspirations, and the magic that happens before the first note is played.

When she’s not behind the mic or in front of the camera, she makes a life in the Hudson Valley with her husband, tending to their bees and chickens—an existence that, much like music, is all about rhythm and harmony.